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INTONENATION PRESENTS: MEET THE ARTIST SERIES - TONSKI

In this edition of our MEET THE ARTIST series we bring back the Belgian beat meister Tonski! His latest release on Intonenation Axiom “My Everything” is out now on all digital platforms. Stream/buy here https://InToneNation.lnk.to/MyEverything

Dieter Matton, better known by his dj and artist name Tonski was only 15 when he started to spin dance music with a pair of second hand decks. His passion for electronic music was fueled by artists like Jean-Michel Jarre, Kraftwerk, Moby, BBE, Faithless, Green Velvet, Depeche Mode as well as local trance and house DJ’s. He quickly perfected the art of mixing and began to play at the local clubs in his hometown, often having to spin chart and top 40 music. It wasn’t always the music he loved but as he gained experience behind the decks the residencies helped him to assemble an enviable collection of classic dance vinyl.

Gaining a solid reputation as a club DJ led Dieter to an opportunity to play at the ”Porsche” nightclub in Ingelmunster where he met top Belgian DJ’s dj Yves and his brother dj MD. Both were already active in the house scene and had just released a record on the famous Bonzaï Records label under the name "D-vibes". They helped the young DJ Tonski to refine his mixing style for a more sophisticated sound. When MD scored a gold record in Belgium with his track “Rio” (Porshe Records) Tonski had the chance to accompany him to major parties and events where MD would spin. It was a valuable education for a young DJ and Tonski also began to develop his studio production skills as well with the help of Aldo Verbeek, an acclaimed professional sound engineer and producer.

Tonski was then offered the chance to prove himself as a resident DJ at Star Events Parties (well known Belgian parties such as Dance Opera, Cyber Active, etc). During this period he also released his first record as a producer under the monika “Steve Shadow” which was released on Zenith Records and began to work the warm up slot for his long time mentor MD at the “Q-Pit” club. Shortly afterwards he became the main resident DJ at another nightclub and it seemed the time had come for Tonski to take center stage.

1. Hi Tonski! We are so excited about your new release. So, what has Tonski been up to since your last release, “Never Ever,” with JMA on Intonenation?

I spent some time getting my new studio completely in order, buying new software, hardware devices, and the latest Cubase DAW which has changed a lot since a few versions :-). This required some time to understand the operation of the new soft & hardware. I had some releases on the Belgian Judi Records and under a pseudonym on the Dutch Blue Records (Mid-Town) by Erik De Koning (known for the hit Three Drives - Greece 2000). I also made some projects for other Belgian DJs and had a weekly mix show on Dancetunes Radio on Saturday night called "Burn The House" with mostly progressive house & tech house in a mix.

2. Electronic music has been developing at an unprecedented rate in the last few years with new genres and sounds. How has that affected your production style, and which genres do you feel most connected to now?

I have always been a fan of music that triggers an emotion and music that also wakes you up in time. In my sets, I always try to tell a story with these two elements in particular. Usually with a combination of progressive & tech house/techno. Although, I like melodic house/techno. By the way, if you always only play one genre and the same sounds or mood, you have a greater chance of losing your audience. Your music story must always remain exciting :-). Back in the 90s, there were many differences in trance styles... You couldn't compare the trance of Germany & the Netherlands with what was mainly played in Belgium and France in terms of speed, drive, and especially structure. What I played in Belgium was given the "genre name" progressive house style years later. :)

3. “My Everything” has a great vocal hook. What was the process like working with vocals, and do you enjoy it more than producing purely instrumental tracks?

I have no preference between instrumental and vocal tracks. It's important that both, the audience and I, feel good about it. The fact is that tracks with a vocal are more accessible and more likely to get radio airplay, but the "vocal tracks" are not always better....Sometimes I think the vocals make the track less good... But that's my personal opinion... Instrumental tracks sometimes get the airplay they deserve... but it's much much more difficult to convince the radio stations to play the record.

4. "My Everything" is a fresh new sound for 2023. What inspired you to create this amazing track?

Last year I married my girlfriend who I have been with for 20 years. We have a son together who was born in 2009. In our younger years, we worked together in a dance club. I was responsible for the disco booth, and my girlfriend was behind the bar. To this day we are still a good team... now with a teenager. :-). When I was working on a new track in the now-popular melodic techno style, I was looking for a vocal. I found this in a pop music construction cd. Normally this is not used in melodic techno but what is normal! After all, this matched the end result and my wife and son remain My Everything.

5. What can we expect from Tonski for the rest of 2023? Do you have any goals or plans you can share with us?

I still have some promised projects to finish, but after that, I only want to continue working on my own projects. I already have several ideas ready in my head but time has put this on hold. I also have my own music style ready in my head ... When people are ready, releases will follow. ;-)

I've learned to enjoy my studio, to do my thing, and not to stress because things don't turn out the way I thought. You can follow me further via tonskimusic.com. All social media channels are listed there. :-)


INTONENATION PRESENTS: MEET THE ARTIST SERIES - DJ MELODIE

INTONENATION PRESENTS: MEET THE ARTIST SERIES - DJ MELODIE

In this week’s MEET THE ARTIST series we are proud to present American-Vietnamese international electronic music DJ & record producer, DJMelodie. Based in San Francisco, she's played at venues across the globe such as "Avalon Hollywood" Los Angeles, "Halcyon SF" San Francisco, “1015” San Francisco, “Ruby Skye” San Francisco, “Insanity Nightclub” Bangkok just to name a few and appearing in a line-up with artists such as Paul Van Dyk, Ferry Corsten, John Fleming, Dj Shogun, Kyau & Albert, Protoculture, Orjan Nilsen, JES, Kristina Sky, Aruna, Betsie Larkin, and more. She also held a residency at San Francisco #1 Afterhour NightClub, The EndUp.

Her latest release with Yelow “Crystal Clear” is out now on all digital platforms. Stream/buy here https://InToneNation.lnk.to/CrystalClear

1. How did you start making music and what were your early inspirations?

In the early 2000s, I fell in love with Trance Music, especially Vocal Trance. I would listen to songs like Delirium feat. Sara McLachlan - Silence, Motorcycle - As The Rush Comes, ATB - 9 PM (Till I Come), and many more. Inspired by many of these legendary Trance artists, I became a Trance Dj and Producer. I wanted to play and create emotive and meaningful music that would touch people and hopefully make a difference in their lives. I began to be more serious about it after recovering from a traumatic injury to my neck, which left me with chronic pain. Music has been the main factor in my healing journey. From Djing, live streaming, producing music -- all have been therapeutic and a lifesaver. I find joy in knowing that I can bring happiness to others through my music and mixes. It's given me hope, purpose, and above all else, re-ignited my passion. I do what I can to help others through my own experiences.

2. Where do you see Trance music in 5 years?

In the next 5 years, I see more female artists and producers bringing their style and individuality to the Trance scene that will help evolve the scene and the music style. I hope I will be able to contribute to that evolution.

3. Is this your first collaboration together? What was the process like?

‘Crystal Clear’ is our first collaboration together and my first collaboration with anyone. We first met on a Trance Retreat that Edwin hosted in Phuket, Thailand in February 2019. We became good friends and teamed up to work on a track together. I had a vocal I wanted to develop into a track and we decided to use it for our collaboration. I work on Logic Pro X while Edwin works with Ableton, so initially we each came up with our concepts/version on our own DAWs. Later, we pulled parts, ideas, arrangements, etc from each project and worked with the main project in Ableton. We wanted to do a trance track but wanted to bring something different and created a baseline that is known to be popular in Vietnamese crowds. We did all this through Zoom and WhatsApp. We had several versions of the track but settled with the final one after JES and the Intonenation Axiom team helped guide us to a version we truly loved.

4. What was your inspiration for “Crystal Clear”?

This track has an important meaning to me. The song is about seeing yourself through 'Crystal Clear' perspective, learning to accept yourself, and seeing yourself as you truly are, instead of looking at yourself through illusions and expectations, which can bring a real turning point and an opportunity to overcome your fears and doubts. For me, the fear and doubt I had was being gay. All my life I hid that from everyone. I was not myself and it made me miserable but meeting Krystal was the turning point in my life. Love brings clarity. I learned to accept myself, had the strength and courage to be me. It's only when we can look through crystal clear lenses that we become who we are and overcome and achieve anything. If I can inspire anyone to be who they are, to not be afraid, and to follow their dreams that would be the best thing in the world for me.

5. What’s is next for you in 2021?

I’m currently working on a couple of vocal projects that I look forward to sharing with everyone. What the pandemic showed me is that working together with others can create magical and unique things, like the track I made together with Edwin. And in 2021, Krystal and I made our debut, as “Melodie & Krystal” and we want to continue to share our love of music to the world by performing more together either on Twitch or in real life.

INTONENATION PRESENTS: MEET THE ARTIST SERIES - YELOW

Intonenation Meet The Artist Series | Yelow

In this week’s MEET THE ARTIST series we talk with Canadian trance producer Edwin ‘Yelow’ Tsui. A fast rising breakthrough producer based out of Calgary, Alberta. With over a decade of event hosting & club DJing experience (having opened for acts such as Paul van Dyk, Aly & Fila, Gabriel & Dresden, Mark Sixma, Vini Vici and more), he set his sights on music production in 2017 by co-founding the Soundcation Trance Retreat with Dennis Sheperd.

His latest release with Dj Melodie “Crystal Clear” is out now on all digital platforms. Stream/buy here https://InToneNation.lnk.to/CrystalClear

1. How did you start making music and what were your early inspirations? 

I started taking production seriously in late 2017, after hosting a production-based ‘Trance Retreat’ in Bali with Dennis Sheperd. I was inspired by the talented instructors at the retreat including Mark Sixma, Protoculture, Dennis Sheperd, and Sied van Riel - it was so exciting and interesting to take a look at the behind-the-scenes on how music was produced! Aside from learning as the Soundcation / Trance Retreat organizer, I also signed up for Sonic Academy, watched plenty of YouTube videos, and took 1-on-1 lessons to supplement my personal development.

Early inspirations stem from my discovery of A State of Trance in early 2005 and include Armin Van Buuren, Menno de Jong, and Sean Tyas!

2. Where do you see Trance music in 5 years?

I think trance will have a bit of a return to its roots with longer, slower developing tracks - the pandemic allowed many artists to explore music outside of clubs or festival sets. Sound design will also evolve significantly (you can already see it happening with the similarities between melodic techno and progressive trance!).

3. Is this your first collaboration together? What was the process like?

‘Crystal Clear’ is indeed our first collaboration together! We first met on a Trance Retreat I hosted in Phuket, Thailand, back in February 2019 and we became good friends and kept in touch. At one point DJ Melodie mentioned to me that she had a vocal she wanted to develop into a track, and we came up with a few initial concepts. I worked on the main project in Ableton, we bounced ideas and parts back and forth and also worked over Zoom! It took us a while to get it to a state we were both happy with, but with the guidance of JES and the Intonenation Axiom team, we’re really happy with the final product.

4. What was your inspiration for “Crystal Clear”?

I’m typically an uplifting trance producer so naturally, I had to go for a trancey, arp style main melody for the climax, but we wanted to have a very groovy, catchy bassline that would be effective and accessible for both DJ Melodie and myself to play out for a more commercial crowd. For the baseline, we drew on some inspiration from our shared Asian backgrounds with some inspiration from music that is popular with Vietnamese crowds (to which we have both played extensively!).

5. What’s is next for you in 2021?

It's been a very productive year for me with a recent Beatport top 10 remix of Sunlounger which was released on FSOE in June, and aside from Crystal Clear, I’ve got releases lined up on FSOE, Deep in Thought, AVA White, Magic Island! I’ve been working closely with Roger Shah and helping him run his Magic Island label and we’ve collaborated on several tracks which I think will be very well received by the broader trance community! As travel resumes in parts of the world I'm also looking forward to hosting Soundcation Trance Retreats once again with our first one in October before ADE!

Follow Yellow:

Facebook: https://www.facebook.com/djyelow

Instagram: https://www.instagram.com/djyelow

Soundcloud: https://soundcloud.com/dj_yelow

INTONENATION PRESENTS: MEET THE ARTIST SERIES - JEEF B

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In this week’s MEET THE ARTIST series we introduce Moroccan native Jeef B. Like finding a rare piece of sea glass on a perfect beach, Jeef B’s understated gem "Symphony", out now via Intonenation Axiom, is rich with mysterious layers and colors that reveal an inner depth and history.

Listen/Download: https://intonenation.complete.me/symphony

1. How did you start making music and what were your early inspirations?

I started producing music in 2011 and was a huge fan of electronic music. That’s is the reason that I started producing, and my early inspirations were Above & Beyond and Armin Van Burren.

2. How does the Moroccan culture influence your music?

The Moroccan culture is very rich, especially in music. It helped me a lot to develop my melodies creation and the vibe and the atmosphere I look for while making the song.

3. Your music has been supported by some of the superstars in the dance world like Aly & Fila , Above & Beyond , Markus Schulz , Cosmic Gate , BT and of course JES (just to name a few). What has been your landmark moment so far?

I appreciate every support I get and think each support has a unique taste. I think all of them mean something to me or meant something at some points in my career.

4. Which do you prefer, producing in the studio or DJ’ing?

Definitely, I like producing more.

5. What’s in store for Jeef B in 2021?

I have some originals and remixes coming for 2021 so many things are coming.

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INTONENATION PRESENTS: MEET THE ARTIST SERIES - NISHIKUSHI

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In this week’s MEET THE ARTIST series we introduce underground Japanese trance hotshot Nishikushi. His new track on Intonenation Axiom Bring It All Back is a non-stop rollercoaster packed with shameless euphoric energy.

Stream/Download: https://intonenation.complete.me/bringit

1. How did you start making music, and what were your early inspirations?

I started making music when I was 10 years old, and when I was 14 years old I heard trance music for the first time on the internet radio and was struck by its futuristic sound. At the time, there was a compilation album called "Cyber Trance" in Japan, and the melodic Dutch trance music like System F and Rank 1 was very popular in Japan, and that hurt me. Before trance, I was in a band and made pop and rock music, but after I discovered trance, I've been making trance music for most of my life.

2. Could you describe your sound, and what makes it unique?

Beautiful, memorable melodies, I think that's the best part of my sound. Every time I'm making a track, I've made a number of different melodies, and adopted the ones that have made the most impression on me. "Bring It All Back" is a very unique melody, don't you think? I also make sure that the songs don't get boring for the listener. Club music tends to develop in the same way. Of course, it's stylistic and exciting, but I try not to get stuck in it.

3. How did you get started in the business, and what was your first landmark moment?

I've always wanted to release my own music on labels I've admired since I was a teenager, so I've been making tracks and sending them out to some very high level labels. But of course they didn't get picked up. So I stopped being picky and sent the demos out to various labels. Then I heard from a label right away and I released my first tune on that label. And then another famous label A&R heard this track and gave me a chance. From that time, I did a couple of releases and here I am. But this time, releasing my track on Intonenation Axiom is the biggest landmark for me!

4. Which do you prefer, producing in the studio or DJ’ing?

Definitely I like producing better! I also like DJ'ing but listening to some good music makes me really want to make music! I feel the most happiness when I'm making music.

5. What’s next for Nishikushi?

I haven't released anything in the last few years, so I'll be bringing a lot of trance music to you this year! I already have a few songs scheduled for release. They're all really good uplifting trance, so you're gonna love it!

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INTONENATION PRESENTS: MEET THE ARTIST SERIES - SPECTRAL

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In this week’s MEET THE ARTIST series we introduce Israeli producer Spectral. Fostering a passion for Trance, DJing and production from his early teens, with early influence from Ferry Corsten, Paul Van Dyk and Scooter, Spectral joined forces with Chris SX for the massive release on Intonenation Axiom "The Angelcy".

Listen/Download: https://intonenation.complete.me/theangelcy

How did you start making music, and what were your early inspirations?

I fell in love with electronic music when I was about 11 years old. I was my class's resident DJ, switching cassettes when we wanted to have dance-offs outside. My gateway DJ was Scooter, but my hands-down idol was Ferry Corsten. Once I heard 'Out Of The Blue', I just knew this kind of music would have me locked for life.

Could you describe your sound, and what makes it unique?

Melodies first and foremost. I have a hard time composing something that does not revolve around the melody and the harmonies. They need to have a soul and need to be unmistakable. Right now I'm infusing my original tracks with Psy-Trance elements, particularly the unmistakable kick/sub combo. I think the hard edge, coupled with the powerful lead synths, reflects my 'I want it all' personality and fits me.

How did you get started in the business, and what was your first landmark moment?

My break-in to high profile releases came at a very late stage of my production. Production was way in the background for me for over 15 years, when an old friend reminded me of something he really liked that I made back in 2003. It reignited my confidence and made me commit. I start taking things more seriously and judge my music by sound quality and appeal, sought out colleagues, and good instructors. It took another year and a few good words to land me my first signed release with Redux Recordings!

My landmark moment is so far easy to pick: The first time I saw a video of my music played to a live crowd. My current absolute idol. Sean Tyas, played my track 'Reborn' at Luminosity Beach Festival 2019 and I can't describe the feeling I got from that.

Which do you prefer, producing in the studio or DJ’ing?

I have not DJed for quite a while and really focused on making music the past two years. Making music is my #1 love. But I miss a crowd, I miss the feeling and hope to rekindle the Jockey flame soon.

What’s next for Chris SX/Spectral?

Chris and I are not done and will be delivering more music together. I may have 1 or 2 more releases by the end of 2020 but will have lots more in 2021. I have never had more unsigned and in-progress works as I do right now, with quite a few collaborations with other producers and amazing vocalists. I'm going to branch out and put out a few prog-housey tunes as an outlet to my laidback side, but for my core work: I intend to keep taking my sound to harder, faster regions while maintaining my heavy, melodic, emotional signature.

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INTONENATION PRESENTS: MEET THE ARTIST SERIES - AAMOS

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In this week’s MEET THE ARTIST series we are excited to introduce Aamos. A Finnish trance producer whose latest collaboration with Miikka Leinonen “rEvolver” has brought back the feel-good, danceable aspect that trance has for too long been missing.

Listen/download: https://intonenation.complete.me/revolver

How did you start making music, and what were your early inspirations?

When i started producing it was 2011 and I was very shy and nervous high-school kid, who wanted to be noticed somehow. I downloaded a Cracked FL studio and started practicing. Trance (and especially progressive trance) was a genre I was interested in. It had emotional feel, massive atmospheres, very polished sound and groovy. It felt right genre to me at that point.

Could you describe your sound, and what makes it unique?

I would describe my sound very detailed and polished. I love making electro house inspired intros/outros, emotional breakdowns and melodic drop with lots of grooviness. I also tend to add some textures and small details on my project that you are not able to hear, but definitely feel when they are not out there.

How did you get started in the business, and what was your first landmark moment?

"Amo R" was my earlier alias. After 2 Years of producing I won a remix contest (but thankfully that remix never got officially released). That made me more self confident and I started shooting my tracks to labels until i got my very first release back in 2013. It was quite bad to be honest, but still another label A&R contacted me and told me he liked my work and wanted me to make remix for him. After that I got multiple releases on different labels and my tracks, remixes and collabs got supported by many big artists, such as Armin van Buuren, Paul Van Dyk, Ferry Corsten, Above&Beyond etc.

Which do you prefer, producing in the studio or DJ’ing?

Simple answer: I love doing both! But originally i’m a producer.

What’s next for Aamos and Miikka Leinonen? 

No plans yet. We are not a duo and I’m kinda quitting full time Trance producing and starting a more popular House based duo with friend of mine who moved to the same studio room. However, I’m not completely quitting my alias and I’m occasionally still concentrating on my own trance work. I’m also always open to trance remixes, producer&mixing help and most importantly trance gigs in the future!

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INTONENATION PRESENTS: MEET THE ARTIST SERIES - CHRIS SX

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In this week’s MEET THE ARTIST series we are excited to introduce CHRIS SX. A German trance prodigy Chris SX and Israeli dance phenomenon Spectral join forces for the massive release on Intonenation Axiom The Angelcy.

Listen/Download: https://intonenation.complete.me/theangelcy

How did you start making music, and what were your early inspirations?

I played drums from a young age and started deejaying as a teenager. To introduce my own taste of music into my mixes, I started to do mash-ups and bootlegs followed by my own productions.

Could you describe your sound, and what makes it unique?

The faster bpm is where my heart lies of course - strong, intensive beats and big melodies. But I'm not a prisoner of styles. I always love to add a fresh new taste to my tracks.

How did you get started in the business, and what was your first landmark moment?

I already had some releases under different aliases before starting as Chris SX. But then it went off. My first release was already the 5 years anniversary “Hymn” for the German club event Trance.Mission which brought me in the Beatport charts. But the next track "Sands Beach" topped everything. All Major Deejays played the track including Armin in A State of Trance, which was totally unexpected and made me a little bit proud.

Which do you prefer, producing in the studio or DJ’ing?

Hard question because I love both. Why not say produce live on stage. Would love to do some live stuff like Giuseppe Ottaviani or Activa and John Askew doing it right now. Overall it would be cool to get more on stage time again. The Trance Scene here in Germany and the neighboring countries degreases year by year resulting in less gigs.

What’s next for Chris SX?

I have another tune with Spectral in progress and several tracks and remixes which are planed to get released in the second half of 2020. So there is a lot coming.

INTONENATION PRESENTS: MEET THE ARTIST SERIES - BEHIND THE SUNSET

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Intonenation is proud to present Behind The Sunset for our MEET THE ARTIST series. After a 6 year break, Behind The Sunset has just dropped a massive single “Change” out now on Intonenation Axiom. “Change” is a magnificent slice of emo based trance that won’t be able to avoid shattering their formerly peaceful existence.

Stream/download here: https://intonenation.complete.me/change

How did you guys meet and start to make music with each other?

We met on a music forum. Each of us led a modest solo career. Even then we were strongly associated with trance music. We remixed a few songs to each other and then decided to create a joint track. It turned out that by joining forces, our music took a new level. Our first single was released physically and digitally on Arnej Music. Then we decided that we would work together under the name Behind The Sunset. Our friendship at that time was only online. Each of us lived in a different city. Music, however, meant that our relationship moved to real life. We are currently musical partners and privately good friends.

Could you describe your sound, and what makes it unique?

Our music is one big chaos. We don't limit ourselves to one style, that's why some of our songs are very different from the others. However, what can be found in each of our songs are emotions. We are big fans of euphoric melodies and deep sounds. Each of our tracks will have a place for a reflective moment, even if the whole song is strongly tech.

How did you get started in the business, and what was your first landmark moment as a group?

As we mentioned earlier, our first single was released on Arnej Music. It was a song called Painting Heaven Together. Shortly after that, we released our second single, Chameleon, which enjoyed great interest from popular DJs. The song was supported by such personalities as Armin van Buuren, Markus Shulz, and Richard Durand. It was a turning point in our careers. We have gained a lot of new fans and interest of music labels.

Which do you prefer, producing in the studio or DJ’ing?

To be honest, we're not experienced DJs, so it's hard to tell what we like more. However, we can confidently say that we love everything that is related to music, so being a DJ is our next step to the fascinating musical world. Let's hope that in the nearest future we will be able to present our DJ skills. Who knows, maybe we'll get an invitation to some guest mix.

What’s next for Behind The Sunset?

In addition to Change, we have another upcoming single. The release date is scheduled for mid-June. The track will be released in Phatbull Records. We are also currently working on some new songs. We are planning to invite vocalists to cooperation. We hope that it will be successful work and new music from BTS will satisfy our current listeners and we will gain new fans.

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Intonenation Presents: Meet The Artist Series - UNIMI

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In our first “Meet The Artist” interview series, we introduce mysterious Dutch bootleg champion, UNIMI. His latest track out on Intonenation Axiom, Between Darkness, creates the bridge between progressive and uplifting. Listen/download here https://intonenation.complete.me/darkness

1. What inspired you to start making music?

Back in 2009, I received A State of Trance Yearmix by Armin van Buuren. Yearmix of 2008 if I am correct. Fell in love at the first second. At that point, I got interested in Trance music and imagined myself playing this kind of music for such a crowd that comes especially for Trance/Bigroom. I found my passion for music right here!

2. How did you get started in the business?

After I listened to the Yearmix a million times, I met a friend in my neighborhood which already produced dance music. Hooked him up and he learned me the basic’s in Fruity Loops 8 back then. After I knew the basics I started to watch tutorials, spend all my weekends and nights off by producing music. Never stop learning!

3. Could you describe your sound, and what makes it unique?

This is a kinda funny story; my name “UNIMI” actually came alive by the word “UNIQUE” and my real name “Michael”. Which I split up. UNI - MI. Back to the question: my sound is based on different genres. I don’t want to think in boxes and stick to one sound or genre. I always try to find or create a sound or kind of energy where you can remember my track. For instance: in the track “Between Darkness” I used a crashing radio-ish sound through the whole track. This added a kind of energy and a reminder point. Most of my tracks are made between 134 and 150 BPM. The genres I’d like to produce the most are tracks that are energetic, emotional, and fits on festivals or clubs. So be prepared for hard banging tracks!

4. Between Darkness is a great track! What was the inspiration for the song, and how did you come up with the name?

Thanks for the support guys! The track is made back in 2018 and never saw daylight because I was not sure about the track. In November 2019 I found the project file somewhere on my “Backup Drive” and decided to re-produce the track. I started with the melody of this track, added the radiocrash-ish sound to it. And from there it really all came together real quick. The name of the first project was “Between” and the second project I made of this track I called “Darkness”.. added those names together and came up with “Between Darkness”. I think the name really fits the track because its a kind of dark track, but energetic at the same time.

5. If you could collaborate with any other artist(s), who would you pick, and why?

This is an easy one! Armin van Buuren and MaRLo!

6. What’s next for UNIMI?

Currently, I am working hard on new tracks and crafting my own sound. I’ve got an official remix for MaRLo his label “Reaching Altitude” (Sublabel of Armada Music) coming up. Next to that, I have a few tracks that I am working on, varying from 134 BPM Trance to 150BPM Reverse Bass combined with emotional Trance chords. Don’t be a prisoner of your own style!

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