Viewing entries tagged
Intonenation Axiom

INTONENATION PRESENTS: MEET THE ARTIST SERIES - TONSKI

In this edition of our MEET THE ARTIST series we bring back the Belgian beat meister Tonski! His latest release on Intonenation Axiom “My Everything” is out now on all digital platforms. Stream/buy here https://InToneNation.lnk.to/MyEverything

Dieter Matton, better known by his dj and artist name Tonski was only 15 when he started to spin dance music with a pair of second hand decks. His passion for electronic music was fueled by artists like Jean-Michel Jarre, Kraftwerk, Moby, BBE, Faithless, Green Velvet, Depeche Mode as well as local trance and house DJ’s. He quickly perfected the art of mixing and began to play at the local clubs in his hometown, often having to spin chart and top 40 music. It wasn’t always the music he loved but as he gained experience behind the decks the residencies helped him to assemble an enviable collection of classic dance vinyl.

Gaining a solid reputation as a club DJ led Dieter to an opportunity to play at the ”Porsche” nightclub in Ingelmunster where he met top Belgian DJ’s dj Yves and his brother dj MD. Both were already active in the house scene and had just released a record on the famous Bonzaï Records label under the name "D-vibes". They helped the young DJ Tonski to refine his mixing style for a more sophisticated sound. When MD scored a gold record in Belgium with his track “Rio” (Porshe Records) Tonski had the chance to accompany him to major parties and events where MD would spin. It was a valuable education for a young DJ and Tonski also began to develop his studio production skills as well with the help of Aldo Verbeek, an acclaimed professional sound engineer and producer.

Tonski was then offered the chance to prove himself as a resident DJ at Star Events Parties (well known Belgian parties such as Dance Opera, Cyber Active, etc). During this period he also released his first record as a producer under the monika “Steve Shadow” which was released on Zenith Records and began to work the warm up slot for his long time mentor MD at the “Q-Pit” club. Shortly afterwards he became the main resident DJ at another nightclub and it seemed the time had come for Tonski to take center stage.

1. Hi Tonski! We are so excited about your new release. So, what has Tonski been up to since your last release, “Never Ever,” with JMA on Intonenation?

I spent some time getting my new studio completely in order, buying new software, hardware devices, and the latest Cubase DAW which has changed a lot since a few versions :-). This required some time to understand the operation of the new soft & hardware. I had some releases on the Belgian Judi Records and under a pseudonym on the Dutch Blue Records (Mid-Town) by Erik De Koning (known for the hit Three Drives - Greece 2000). I also made some projects for other Belgian DJs and had a weekly mix show on Dancetunes Radio on Saturday night called "Burn The House" with mostly progressive house & tech house in a mix.

2. Electronic music has been developing at an unprecedented rate in the last few years with new genres and sounds. How has that affected your production style, and which genres do you feel most connected to now?

I have always been a fan of music that triggers an emotion and music that also wakes you up in time. In my sets, I always try to tell a story with these two elements in particular. Usually with a combination of progressive & tech house/techno. Although, I like melodic house/techno. By the way, if you always only play one genre and the same sounds or mood, you have a greater chance of losing your audience. Your music story must always remain exciting :-). Back in the 90s, there were many differences in trance styles... You couldn't compare the trance of Germany & the Netherlands with what was mainly played in Belgium and France in terms of speed, drive, and especially structure. What I played in Belgium was given the "genre name" progressive house style years later. :)

3. “My Everything” has a great vocal hook. What was the process like working with vocals, and do you enjoy it more than producing purely instrumental tracks?

I have no preference between instrumental and vocal tracks. It's important that both, the audience and I, feel good about it. The fact is that tracks with a vocal are more accessible and more likely to get radio airplay, but the "vocal tracks" are not always better....Sometimes I think the vocals make the track less good... But that's my personal opinion... Instrumental tracks sometimes get the airplay they deserve... but it's much much more difficult to convince the radio stations to play the record.

4. "My Everything" is a fresh new sound for 2023. What inspired you to create this amazing track?

Last year I married my girlfriend who I have been with for 20 years. We have a son together who was born in 2009. In our younger years, we worked together in a dance club. I was responsible for the disco booth, and my girlfriend was behind the bar. To this day we are still a good team... now with a teenager. :-). When I was working on a new track in the now-popular melodic techno style, I was looking for a vocal. I found this in a pop music construction cd. Normally this is not used in melodic techno but what is normal! After all, this matched the end result and my wife and son remain My Everything.

5. What can we expect from Tonski for the rest of 2023? Do you have any goals or plans you can share with us?

I still have some promised projects to finish, but after that, I only want to continue working on my own projects. I already have several ideas ready in my head but time has put this on hold. I also have my own music style ready in my head ... When people are ready, releases will follow. ;-)

I've learned to enjoy my studio, to do my thing, and not to stress because things don't turn out the way I thought. You can follow me further via tonskimusic.com. All social media channels are listed there. :-)


Elk Road & JES "Ghost" Out Now For North & South America Via Intonenation Axiom

INTAX_Ghost_ER&JES_CoverART_1.jpg

Listen/Download: https://jes.lnk.to/Ghost

Songs that transcend time can be hard to find, but electronic music legend JES has created more than her fair share of enduring gems. Her revered electronic classic, Ghost, reappears for 2021 with a reworking from Australian electro genius Elk Road.

A rhythmically vibrant opening launches into the infamous vocal line from which the song takes its name. Rich 80’s synth brass underpin an eclectic and infectious arrangement, which sacrifices none of the original emotion that made this song a perennial favorite. While the beautiful tapestry unfolds, Elk Road’s streamlined production transports Ghost into 2021, adding another life to this song’s storied past.

Elk Road & JES’s Ghost is one supernatural encounters not to be missed.

Comment

Rising UK Trance Producer Kelvin Rowlands Releases "Arrival" On Intonenation Axiom

ITAX012.jpg

Listen/Download: https://InToneNation.lnk.to/Arrival

Drawing inspiration for his new release from the renewed global interest in space travel is fast rising UK trance producer Kelvin Rowlands. In the dawn of a new era, "Arrival" is a sublime slice of uplifting trance that is sure to inspire and take you on a musical journey. The ingenious use of theme and structure play well with Kelvin’s shining production style. As the opening of the song unfolds, it hints at the unforgettable energy to come. The breakdown layers subtle synth arpeggios with classical guitar melodies before giving way to an epic drop that hits like a tidal wave. So get ready for impending interplanetary travel and extraterrestrial visitation with the perfect soundtrack, "Arrival", from Kelvin Rowlands.

Comment

INTONENATION PRESENTS: MEET THE ARTIST SERIES - JEEF B

FA256928-912F-42F6-8F5B-49B8935AA535.jpg

In this week’s MEET THE ARTIST series we introduce Moroccan native Jeef B. Like finding a rare piece of sea glass on a perfect beach, Jeef B’s understated gem "Symphony", out now via Intonenation Axiom, is rich with mysterious layers and colors that reveal an inner depth and history.

Listen/Download: https://intonenation.complete.me/symphony

1. How did you start making music and what were your early inspirations?

I started producing music in 2011 and was a huge fan of electronic music. That’s is the reason that I started producing, and my early inspirations were Above & Beyond and Armin Van Burren.

2. How does the Moroccan culture influence your music?

The Moroccan culture is very rich, especially in music. It helped me a lot to develop my melodies creation and the vibe and the atmosphere I look for while making the song.

3. Your music has been supported by some of the superstars in the dance world like Aly & Fila , Above & Beyond , Markus Schulz , Cosmic Gate , BT and of course JES (just to name a few). What has been your landmark moment so far?

I appreciate every support I get and think each support has a unique taste. I think all of them mean something to me or meant something at some points in my career.

4. Which do you prefer, producing in the studio or DJ’ing?

Definitely, I like producing more.

5. What’s in store for Jeef B in 2021?

I have some originals and remixes coming for 2021 so many things are coming.

Moroccan Native Jeef B Releases The Progressive Offering "Symphony" On Intonenation Axiom

Listen/Download: https://intonenation.complete.me/symphonyLike finding a rare piece of sea glass on a perfect beach, JeeF B’s understated gem "Symphony" is rich with mysterious layers and colors that reveal an inner depth and history. The Moroccan n…

Listen/Download: https://intonenation.complete.me/symphony

Like finding a rare piece of sea glass on a perfect beach, JeeF B’s understated gem "Symphony" is rich with mysterious layers and colors that reveal an inner depth and history. The Moroccan native’s latest progressive offering reaches a state of emotional tantra, fascinating the listener and transporting them on a journey of understanding and unity. A deeply house-influenced beat and bass line, supporting the enchanting string and plucked themes, make this the perfect calm before the storm in any set. As dynamic as it is melodic, Symphony is a voyage to an unknown destination of promise. So ride the wave of "Symphony" with Jeef B, and take a step closer to yourself.

1 Comment

INTONENATION PRESENTS: MEET THE ARTIST SERIES - NISHIKUSHI

Nishikushi_artist_photo.jpg

In this week’s MEET THE ARTIST series we introduce underground Japanese trance hotshot Nishikushi. His new track on Intonenation Axiom Bring It All Back is a non-stop rollercoaster packed with shameless euphoric energy.

Stream/Download: https://intonenation.complete.me/bringit

1. How did you start making music, and what were your early inspirations?

I started making music when I was 10 years old, and when I was 14 years old I heard trance music for the first time on the internet radio and was struck by its futuristic sound. At the time, there was a compilation album called "Cyber Trance" in Japan, and the melodic Dutch trance music like System F and Rank 1 was very popular in Japan, and that hurt me. Before trance, I was in a band and made pop and rock music, but after I discovered trance, I've been making trance music for most of my life.

2. Could you describe your sound, and what makes it unique?

Beautiful, memorable melodies, I think that's the best part of my sound. Every time I'm making a track, I've made a number of different melodies, and adopted the ones that have made the most impression on me. "Bring It All Back" is a very unique melody, don't you think? I also make sure that the songs don't get boring for the listener. Club music tends to develop in the same way. Of course, it's stylistic and exciting, but I try not to get stuck in it.

3. How did you get started in the business, and what was your first landmark moment?

I've always wanted to release my own music on labels I've admired since I was a teenager, so I've been making tracks and sending them out to some very high level labels. But of course they didn't get picked up. So I stopped being picky and sent the demos out to various labels. Then I heard from a label right away and I released my first tune on that label. And then another famous label A&R heard this track and gave me a chance. From that time, I did a couple of releases and here I am. But this time, releasing my track on Intonenation Axiom is the biggest landmark for me!

4. Which do you prefer, producing in the studio or DJ’ing?

Definitely I like producing better! I also like DJ'ing but listening to some good music makes me really want to make music! I feel the most happiness when I'm making music.

5. What’s next for Nishikushi?

I haven't released anything in the last few years, so I'll be bringing a lot of trance music to you this year! I already have a few songs scheduled for release. They're all really good uplifting trance, so you're gonna love it!

1 Comment

Out Now On Intonenation Axiom Nishikushi - Bring It All Back

Debuted by Armin van Buuren on "A State Of Trance" 985.

Underground Japanese trance hotshot Nishikushi has delivered what has to be the most uplifting trance tune of the year, with Bring It All Back. Early support by Armin van Burren, Ruben de Ronde, JES, Johan Gielen, Alex M.O.R.P.H, and Ori Uplift. 

If you can remember a time before lockdowns, masks, and distancing. And if you can remember what life felt like without these restrictions, then this is your anthem.

Bring It All Back is a non-stop rollercoaster packed with shameless euphoric energy. Every beat screams hope, oozes positivity, and shines with optimism. Blessed with an infectious melody and an undeniable uplifting power, this is the soundtrack to our inevitable dancefloor reconciliation. Nishikushi has given the feeling of freedom a melody and a rhythm that will captivate your imagination, and take you back to a time when we were able to move as one in dance. 

Because this too shall pass, and when it does, we'll be waiting with Bring It All Back!

INTONENATION PRESENTS: MEET THE ARTIST SERIES - SPECTRAL

Profile_02_BW.jpg

In this week’s MEET THE ARTIST series we introduce Israeli producer Spectral. Fostering a passion for Trance, DJing and production from his early teens, with early influence from Ferry Corsten, Paul Van Dyk and Scooter, Spectral joined forces with Chris SX for the massive release on Intonenation Axiom "The Angelcy".

Listen/Download: https://intonenation.complete.me/theangelcy

How did you start making music, and what were your early inspirations?

I fell in love with electronic music when I was about 11 years old. I was my class's resident DJ, switching cassettes when we wanted to have dance-offs outside. My gateway DJ was Scooter, but my hands-down idol was Ferry Corsten. Once I heard 'Out Of The Blue', I just knew this kind of music would have me locked for life.

Could you describe your sound, and what makes it unique?

Melodies first and foremost. I have a hard time composing something that does not revolve around the melody and the harmonies. They need to have a soul and need to be unmistakable. Right now I'm infusing my original tracks with Psy-Trance elements, particularly the unmistakable kick/sub combo. I think the hard edge, coupled with the powerful lead synths, reflects my 'I want it all' personality and fits me.

How did you get started in the business, and what was your first landmark moment?

My break-in to high profile releases came at a very late stage of my production. Production was way in the background for me for over 15 years, when an old friend reminded me of something he really liked that I made back in 2003. It reignited my confidence and made me commit. I start taking things more seriously and judge my music by sound quality and appeal, sought out colleagues, and good instructors. It took another year and a few good words to land me my first signed release with Redux Recordings!

My landmark moment is so far easy to pick: The first time I saw a video of my music played to a live crowd. My current absolute idol. Sean Tyas, played my track 'Reborn' at Luminosity Beach Festival 2019 and I can't describe the feeling I got from that.

Which do you prefer, producing in the studio or DJ’ing?

I have not DJed for quite a while and really focused on making music the past two years. Making music is my #1 love. But I miss a crowd, I miss the feeling and hope to rekindle the Jockey flame soon.

What’s next for Chris SX/Spectral?

Chris and I are not done and will be delivering more music together. I may have 1 or 2 more releases by the end of 2020 but will have lots more in 2021. I have never had more unsigned and in-progress works as I do right now, with quite a few collaborations with other producers and amazing vocalists. I'm going to branch out and put out a few prog-housey tunes as an outlet to my laidback side, but for my core work: I intend to keep taking my sound to harder, faster regions while maintaining my heavy, melodic, emotional signature.

1 Comment

INTONENATION PRESENTS: MEET THE ARTIST SERIES - AAMOS

Aamos_Pic.jpg

In this week’s MEET THE ARTIST series we are excited to introduce Aamos. A Finnish trance producer whose latest collaboration with Miikka Leinonen “rEvolver” has brought back the feel-good, danceable aspect that trance has for too long been missing.

Listen/download: https://intonenation.complete.me/revolver

How did you start making music, and what were your early inspirations?

When i started producing it was 2011 and I was very shy and nervous high-school kid, who wanted to be noticed somehow. I downloaded a Cracked FL studio and started practicing. Trance (and especially progressive trance) was a genre I was interested in. It had emotional feel, massive atmospheres, very polished sound and groovy. It felt right genre to me at that point.

Could you describe your sound, and what makes it unique?

I would describe my sound very detailed and polished. I love making electro house inspired intros/outros, emotional breakdowns and melodic drop with lots of grooviness. I also tend to add some textures and small details on my project that you are not able to hear, but definitely feel when they are not out there.

How did you get started in the business, and what was your first landmark moment?

"Amo R" was my earlier alias. After 2 Years of producing I won a remix contest (but thankfully that remix never got officially released). That made me more self confident and I started shooting my tracks to labels until i got my very first release back in 2013. It was quite bad to be honest, but still another label A&R contacted me and told me he liked my work and wanted me to make remix for him. After that I got multiple releases on different labels and my tracks, remixes and collabs got supported by many big artists, such as Armin van Buuren, Paul Van Dyk, Ferry Corsten, Above&Beyond etc.

Which do you prefer, producing in the studio or DJ’ing?

Simple answer: I love doing both! But originally i’m a producer.

What’s next for Aamos and Miikka Leinonen? 

No plans yet. We are not a duo and I’m kinda quitting full time Trance producing and starting a more popular House based duo with friend of mine who moved to the same studio room. However, I’m not completely quitting my alias and I’m occasionally still concentrating on my own trance work. I’m also always open to trance remixes, producer&mixing help and most importantly trance gigs in the future!

1 Comment

Out Now On Intonenation Axiom Aamos vs. Miikka Leinonen - rEvolver

Continuing Intonenation Axiom’s run of notable collaborations is Finnish trance cohorts Aamos & Miikka Leinonen, setting their sights high with a new progressive offering called rEvolver. This dynamic duo has brought back the feel-good, danceable aspect that trance has for too long been missing. rEvolver is as rhythmic as it is melodic, as impulsive as it is informed, and it can’t wait to liberate. Centered around a massive, infectious melodic drop that will animate even the most reluctant party people, rEvolver looks set to bring its own unique redemption to trance fans everywhere.  So pull the trigger now with rEvolver, and see if you can’t feel the freedom!